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    <loc>https://globalczechs.cz/news/recommendation-of-a-book-historia-oculta-representacin-de-la-mujer-en-la-conquista-y-colonizacin-del-nuevo-mundo</loc>
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      <image:caption>Životopisy ľudi a vecí / Biographies of People and Things at the Bratislava City Museum © Matthew Rampley</image:caption>
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      <image:title>News - Dr. Jana Švantnerová has joined the project team</image:title>
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      <image:title>News - Dr. Jana Švantnerová has joined the project team</image:title>
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      <image:title>News - Dr. Jana Švantnerová has joined the project team - Životopisy ľudi a vecí / Biographies of People and Things at the Bratislava City Museum © Matthew Rampley</image:title>
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      <image:title>News - Dr. Jana Švantnerová has joined the project team</image:title>
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      <image:title>News - Dr. Jana Švantnerová has joined the project team</image:title>
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      <image:title>News - Dr. Jana Švantnerová has joined the project team - Životopisy ľudi a vecí / Biographies of People and Things at the Bratislava City Museum © Matthew Rampley</image:title>
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      <image:title>News - Invitation to the interdisciplinary conference Österreich (post)kolonial (27. –28. 11. 2025, University Salzburg, Austria)</image:title>
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    <loc>https://globalczechs.cz/news/matthew-rampley-is-speaking-on-10-october-at-a-conference-at-the-university-of-vienna-austria-hungary-in-the-global-colonial-system</loc>
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      <image:title>News - Matthew Rampley is speaking on 10 October at a conference at the University of Vienna: Austria-Hungary in the Global Colonial System - Make it stand out</image:title>
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    <lastmod>2026-06-19</lastmod>
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  <url>
    <loc>https://globalczechs.cz/publications-and-reviews/tirailleurs-trials-and-tribulations-from-cannon-fodder-to-avant-garde-the-forgotten-soldiers-who-freed-europenbspberlin-21-03-2026-14-06-2026-</loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/220d912d-0f68-4f88-83b6-a2e28e43c69f/F18B1FBD-ABF3-4BAE-BD41-E4D4CDA89371.jpeg</image:loc>
      <image:title>Publications and Reviews - Tirailleurs: Trials and Tribulations - From Cannon Fodder to Avant-Garde - The Forgotten Soldiers Who Freed Europe&amp;nbsp;(Berlin, 21. 03. 2026 – 14. 06. 2026 ) - Make it stand out</image:title>
      <image:caption>Exterior of the HKW building (all photos used are from the author’s personal archive)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/fefe7f56-606f-4024-a127-9bbeb7810174/5E6734A2-81A3-40C3-919B-0B447EE51FED.jpeg</image:loc>
      <image:title>Publications and Reviews - Tirailleurs: Trials and Tribulations - From Cannon Fodder to Avant-Garde - The Forgotten Soldiers Who Freed Europe&amp;nbsp;(Berlin, 21. 03. 2026 – 14. 06. 2026 ) - Make it stand out</image:title>
      <image:caption>Right: Félix Vallotton, Soldats sénégalais au camp de Mailly (1917), oil on canvas, 55.2 × 66 cm, reproduction (original 46 × 55 cm).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/65d689e1-3e8a-4ad8-a814-6e3232fc5d4a/75CF6662-82DE-4C29-8416-442A77B64DEB.jpeg</image:loc>
      <image:title>Publications and Reviews - Tirailleurs: Trials and Tribulations - From Cannon Fodder to Avant-Garde - The Forgotten Soldiers Who Freed Europe&amp;nbsp;(Berlin, 21. 03. 2026 – 14. 06. 2026 ) - Make it stand out</image:title>
      <image:caption>Architectural design of the exhibition section titled "Thematic Resonances + Perspectives"</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/b84e42d2-b498-484f-b984-a6e31aaeb326/780D4AB8-20C5-47E3-8CB9-C54C7354B345.jpeg</image:loc>
      <image:title>Publications and Reviews - Tirailleurs: Trials and Tribulations - From Cannon Fodder to Avant-Garde - The Forgotten Soldiers Who Freed Europe&amp;nbsp;(Berlin, 21. 03. 2026 – 14. 06. 2026 ) - Make it stand out</image:title>
      <image:caption>Daniel Lind-Ramos, Re-inventario de la desmemoria (2026), metal tube, coconut shell, wooden boxes, small cloth bags, textile, wooden barrel, plastic, nurse’s cap, army bag, boots, binoculars, burlap sack, rope, cooking pot, trumpet, machetes, 267 × 244 × 244 cm.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/7aa7f57b-4a92-4bb5-b7ef-074455f95ff8/8B9B88BB-C8E2-4683-9B6D-37EC872DB900.jpeg</image:loc>
      <image:title>Publications and Reviews - Tirailleurs: Trials and Tribulations - From Cannon Fodder to Avant-Garde - The Forgotten Soldiers Who Freed Europe&amp;nbsp;(Berlin, 21. 03. 2026 – 14. 06. 2026 ) - Make it stand out</image:title>
      <image:caption>Pélagie Gbaguidi, The Architecture of Courage (2026), wood, fabric, 7 structures, each 200 × 85 cm.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/783fa53d-c8b3-4581-ab38-b30ee793ee25/A35D6EB2-70CB-4A99-A447-B8714237F6D5.jpeg</image:loc>
      <image:title>Publications and Reviews - Tirailleurs: Trials and Tribulations - From Cannon Fodder to Avant-Garde - The Forgotten Soldiers Who Freed Europe&amp;nbsp;(Berlin, 21. 03. 2026 – 14. 06. 2026 ) - Make it stand out</image:title>
      <image:caption>Mónica de Miranda, The Spell Stone (2026), 4-channel video installation, video, wood, dimensions variable, Portuguese with En/Ger subs.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/c27a083c-ee96-4522-8c86-702f904f40d8/11F707B8-A365-4AF8-8230-A407580CD23B.jpeg</image:loc>
      <image:title>Publications and Reviews - Tirailleurs: Trials and Tribulations - From Cannon Fodder to Avant-Garde - The Forgotten Soldiers Who Freed Europe&amp;nbsp;(Berlin, 21. 03. 2026 – 14. 06. 2026 ) - Make it stand out</image:title>
      <image:caption>Tuấn Andrew Nguyễn, Because No One Living Will Listen / Người Sống Chẳng Ai Nghe (2023), video still.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/9c94614d-e089-4952-9c96-faba376d28b3/9CCCAB70-E687-4886-952D-8E4BC267CCA7.jpeg</image:loc>
      <image:title>Publications and Reviews - Tirailleurs: Trials and Tribulations - From Cannon Fodder to Avant-Garde - The Forgotten Soldiers Who Freed Europe&amp;nbsp;(Berlin, 21. 03. 2026 – 14. 06. 2026 ) - Make it stand out</image:title>
      <image:caption>Left: El Hadji Sy, Untitled (2019), installation, 4 door paintings, acrylic on wood, frame, each c.205 × 80 × 3.5 cm.  Right: Binta Diaw, 1.12.44-1 - Édition 1/3 (2021)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/9c5a0cfd-22c8-4b7f-8b59-68603db6f317/9DF30951-AB96-4140-AF67-B6CA384EF10A.jpeg</image:loc>
      <image:title>Publications and Reviews - Tirailleurs: Trials and Tribulations - From Cannon Fodder to Avant-Garde - The Forgotten Soldiers Who Freed Europe&amp;nbsp;(Berlin, 21. 03. 2026 – 14. 06. 2026 ) - Make it stand out</image:title>
      <image:caption>In the front:  Dior Thiam, Tata (2026), acrylic, charcoal, glue, and wax-print on canvas, cotton thread, wood, clay, 360 × 140 × 140 cm.  In the back: Slavs and Turks, Reverse Dschihad (Russian) (2015), screenprint on polished steel, 244 × 122 × 0.1 cm; Reverse Dschihad (Tatar) (2015), screenprint on polished steel, 244 × 122 × 0.1 cm; Reverse Dschihad (Urdu) (2015), screenprint on polished steel, 244 × 122 × 0.1 cm; Reverse Dschihad (Arabic) (2015), screenprint on polished steel, 244 × 122 × 0.1 cm.</image:caption>
    </image:image>
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  <url>
    <loc>https://globalczechs.cz/publications-and-reviews/se47eqgdbppth5parany4b2g06ilmz</loc>
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    <lastmod>2026-03-23</lastmod>
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      <image:title>Publications and Reviews - Exhibition Review Wybielanie / ‘Bleaching’ at National Ethnographic Museum of Warsaw - Make it stand out</image:title>
      <image:caption>Fig .1: Bleached out stories: Looking towards the exhibition entrance © Patrick Laviolette</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1df820de-e4ad-4b03-8ccf-1519296a7b00/Fig+2.jpg</image:loc>
      <image:title>Publications and Reviews - Exhibition Review Wybielanie / ‘Bleaching’ at National Ethnographic Museum of Warsaw - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/eb775e2e-ee81-4b9c-90e4-1c797adf1ebf/Fig+3+Little+People+C_McKay+Wybie++2025+08+23.jpg</image:loc>
      <image:title>Publications and Reviews - Exhibition Review Wybielanie / ‘Bleaching’ at National Ethnographic Museum of Warsaw - Make it stand out</image:title>
      <image:caption>Fig. 3: ‘The Little Peoples’ (1919) poem by Claude McKay © Patrick Laviolette</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/fbf45b1d-c665-4ebc-af68-d6df5198f098/Fig+5+Wybie++timeline+2025+08+23.jpg</image:loc>
      <image:title>Publications and Reviews - Exhibition Review Wybielanie / ‘Bleaching’ at National Ethnographic Museum of Warsaw - Make it stand out</image:title>
      <image:caption>Fig. 5: Display cases, mounted photos and NEM’s timeline [1947-2024] © Patrick Laviolette</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1774258724148-3YLMWUR7VQ5G5AZ2IF7Y/Fig+6+a+Wybie++2025+08+23.jpg</image:loc>
      <image:title>Publications and Reviews - Exhibition Review Wybielanie / ‘Bleaching’ at National Ethnographic Museum of Warsaw - Figs 6a. Korabiewicz’s displaced boat (c) Patrick Laviolette</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1774258762184-5GN1ED5WLBCN33E15VEL/Fig+6+b.jpg</image:loc>
      <image:title>Publications and Reviews - Exhibition Review Wybielanie / ‘Bleaching’ at National Ethnographic Museum of Warsaw - 6b. Witek Orski’s ‘displaced person’ (c) Neil R. Thomas</image:title>
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  </url>
  <url>
    <loc>https://globalczechs.cz/publications-and-reviews/asia-beyond-space-and-time-review-of-the-newly-opened-permanent-exhibition-of-asian-art-at-the-national-gallery-prague</loc>
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    <lastmod>2026-02-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/97f11068-24c4-4e9f-9b07-5b0e37d4b34a/6468_15ed52a39845acc0af15a7d27e7d9c97_full.jpg</image:loc>
      <image:title>Publications and Reviews - Asia beyond space and time. Review of the newly opened permanent exhibition of Asian art at the National Gallery Prague</image:title>
      <image:caption>© Jakub Přecechtěl, National Gallery Prague</image:caption>
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  <url>
    <loc>https://globalczechs.cz/publications-and-reviews/decolonizing-central-europe-czech-art-and-the-question-of-colonial-innocence</loc>
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    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1768821605708-8AKEHI3XHTPL5TZ92ZXM/showCoverImage.jpg</image:loc>
      <image:title>Publications and Reviews - Decolonizing Central Europe: Czech Art and the Question of ‘Colonial Innocence’</image:title>
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  <url>
    <loc>https://globalczechs.cz/publications-and-reviews/in-search-of-a-mission-reflections-on-the-museum-of-world-culture-and-ethnography-in-the-21st-century</loc>
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    <priority>0.5</priority>
    <lastmod>2025-11-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1764246177060-JZ6U389T8WIBWKFJCBKN/Figure+1.jpeg</image:loc>
      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 1: Installation shot of gallery of the exhibition Emil Holub, Náprstek Museum Prague. Photo: M. Rampley</image:title>
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      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 2: Poster advertising publication of the Czech edition of Emil Holub, Seven Years in Africa (1880). Photo: National Museum, Prague</image:title>
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      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 3: Installation shot of the gallery New Guinea – Ritual Traditions, Wereld Museum, Leiden. Photo: Wereld Museum, Leiden</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1764246488405-59D33WAX3POA1MS3MKEO/Figure+4.jpeg</image:loc>
      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 4: Feather Headdress, traditionally associated with Moctezuma II (before 1520. Photo: Weltmuseum, Vienna</image:title>
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      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 5: Front cover of Susan Vogel, ed., Art / Artifact (New York, 1989)</image:title>
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      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 7: Installation shot of the gallery of Oceania, Musée Quai Branly – Jacques Chirac, Paris. Photo: M. Rampley</image:title>
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      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 6: Installation short of the gallery of Oceania, Náprstek Museum, Prague. Photo: Náprstek Museum</image:title>
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      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 8: Installation shot of altars and grave markers of the gallery of Oceania, Musée Quai Branly – Jacques Chirac, Paris. Photo: M. Rampley</image:title>
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      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 9: Callimachus (attributed). The grave stele of Hegeso (ca 410-400 BCE). Photo: National Archaeological Museum, Athens</image:title>
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      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 10: Main gallery of the Museum of Anthropology &amp;amp; Archaeology, Cambridge. Photo: M. Rampley.&amp;nbsp;</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1764239901108-3Q0KAJFV2PYDKEDW2BVX/Figure+11.jpeg</image:loc>
      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 11: Main gallery of the Pitt Rivers Museum, Oxford. Photo: Pitt Rivers Museum</image:title>
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      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 12: Hawaiian feathered cape (‘ahu’ula) (early 20th century). Photo: M. Rampley</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1764239960659-0VNS98IVEDO2TYTGG8XI/Figure+13.jpeg</image:loc>
      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 13: Kalupani Landgraf, Ho‘oheihei (2024). Photo: M. Rampley</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1764240031959-BG70SI1V5IIDC0H34LOH/Figure+14.jpeg</image:loc>
      <image:title>Publications and Reviews - In Search of a Mission: Reflections on the Museum of World Culture and Ethnography in the 21st Century - Figure 14: Atheana Picha, Syuwenulh, S’ulxwé:n, Snuw’eyulh (2024). Photo: M. Rampley</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://globalczechs.cz/publications-and-reviews/introducing-our-external-collaborator-irene-appeaning-addo-on-postcolonial-architecture-urban-inequality-and-ghana-czechoslovakia-collaboration-in-the-1960s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
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      <image:title>Publications and Reviews - Introducing our external collaborator Irene Appeaning Addo: On postcolonial architecture, urban inequality, and Ghana-Czechoslovakia collaboration in the 1960s&amp;nbsp;</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1760528507807-BLLFHFBVJQR2D4VSXW77/IMG_20190423_150009%2B%282%29%2B%281%29.webp</image:loc>
      <image:title>Publications and Reviews - Introducing our external collaborator Irene Appeaning Addo: On postcolonial architecture, urban inequality, and Ghana-Czechoslovakia collaboration in the 1960s&amp;nbsp;</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/36122f24-c786-484e-8d75-d1e4deb0d56d/Figure+1%3A+Abandoned+structures+of+Bonsa+Tyre+Factory.+%28Source%3A+Graphic+Online%2C+May+2017%29</image:loc>
      <image:title>Publications and Reviews - Introducing our external collaborator Irene Appeaning Addo: On postcolonial architecture, urban inequality, and Ghana-Czechoslovakia collaboration in the 1960s&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 1: Abandoned structures of Bonsa Tyre Factory. (Source: Graphic Online, May 2017)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/2e5fe3b6-0db7-41e8-872c-974c82d1f442/Figure+2%3A+Maxwell+Fry+and+Jane+Drew.+Mfantsipin+School%2C+Cape+Coast+%281947%29.+%28Source%3A+V%26A+Museum%29</image:loc>
      <image:title>Publications and Reviews - Introducing our external collaborator Irene Appeaning Addo: On postcolonial architecture, urban inequality, and Ghana-Czechoslovakia collaboration in the 1960s&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 2: Maxwell Fry and Jane Drew. Mfantsipin School, Cape Coast (1947). (Source: V&amp;A Museum)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/51809306-82ec-4bc2-b3af-8d207ce49d3f/Figure+3%3A+%C3%82ngela+Ferreira.+Angela+Miriam+Makeba%E2%80%99s+house+in+Guinea-Bissau+%282019%29.+%28Source%3A+Culturgest%2C+Porto%29</image:loc>
      <image:title>Publications and Reviews - Introducing our external collaborator Irene Appeaning Addo: On postcolonial architecture, urban inequality, and Ghana-Czechoslovakia collaboration in the 1960s&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/691b08d3-1328-4bbe-9f3f-5a0250872f52/Figure+3%3A+%C3%82ngela+Ferreira.+Angela+Miriam+Makeba%E2%80%99s+house+in+Guinea-Bissau+%282019%29.+%28Source%3A+Culturgest%2C+Porto%29</image:loc>
      <image:title>Publications and Reviews - Introducing our external collaborator Irene Appeaning Addo: On postcolonial architecture, urban inequality, and Ghana-Czechoslovakia collaboration in the 1960s&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Figure 3: Ângela Ferreira. Angela Miriam Makeba’s house in Guinea-Bissau (2019). (Source: Culturgest, Porto)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://globalczechs.cz/publications-and-reviews/decolonizing-central-europe-czech-art-and-thequestion-of-colonial-innocence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-18</lastmod>
  </url>
  <url>
    <loc>https://globalczechs.cz/publications-and-reviews/rollova-colonialism-in-objects-/-der-kolonialismus-in-den-dingen-at-munichs-museum-of-the-five-continents</loc>
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    <lastmod>2025-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1751966704030-9N51O6CI7TZ4XN64GP1S/03+kopfaufsatzmaske_der-kolonialismus-in-den-dingen.jpg</image:loc>
      <image:title>Publications and Reviews - Colonialism in Objects / Der Kolonialismus in den Dingen at Munich's Museum of the Five Continents&amp;nbsp; - Anito (ancestor figure)   © Museum Fünf Kontinente. Photo: Nicolai Kästner</image:title>
      <image:caption>Luzon Island (Philippines). Before 1878. Wood, cowry, coix seeds. 59 × 11 × 19 cm. Provenance: Heinrich Rothdauscher, Inv. Nr. 93-89. © Museum Fünf Kontinente. Photo: Nicolai Kästner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1751966704010-9XGP17ADGEVKCKYBA6P4/02+leopard_der-kolonialismus-in-den-dingen.jpg</image:loc>
      <image:title>Publications and Reviews - Colonialism in Objects / Der Kolonialismus in den Dingen at Munich's Museum of the Five Continents&amp;nbsp; - Leopard figure © Museum Fünf Kontinente. Photo: Marianne Franke</image:title>
      <image:caption>Benin City (Nigeria). Before 1897. Brass alloy with iron inlays. Height: 43 cm. Length: 60 cm. Provenance: E. Schmidt, Emperor Wilhelm II, Gerhard Merx, unknown, Ludwig Bretschneider, Inv. Nr. 52-7-1B</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1751966705964-LT6C7UBHM7UO77757ARW/01+anito-ahnenfigur_der-kolonialismus-in-den-dingen.jpg</image:loc>
      <image:title>Publications and Reviews - Colonialism in Objects / Der Kolonialismus in den Dingen at Munich's Museum of the Five Continents&amp;nbsp; - Crest mask © Museum Fünf Kontinente. Photo: Nicolai Kästner</image:title>
      <image:caption>Old Calabar, Nigeria. Before 1905. Wood, painted. 35.6 × 17.8 × 19 cm. Provenance: Max von Stefenelli, Inv. Nr. 07-85</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1751966724553-H4EW4EI1XA5N1F2X6F9E/04+historische-fotografie-kamerun-saal-beschnitten.jpg</image:loc>
      <image:title>Publications and Reviews - Colonialism in Objects / Der Kolonialismus in den Dingen at Munich's Museum of the Five Continents&amp;nbsp; - Historical photograph of the Cameroon Hall © Museum Fünf Kontinente</image:title>
      <image:caption>in the Hofgarten location. C. 1900. Photo archive, Inv. Nr. PL-2717</image:caption>
    </image:image>
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    <lastmod>2025-06-24</lastmod>
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      <image:title>Publications and Reviews - Alois Musil (1868–1944), the Moravian Lawrence of Arabia: The Question of Coloniality in Central Europe</image:title>
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      <image:caption>An exhibit from the permanent exhibition The Story of the City of České Budějovice. (c) Matthew Rampley's personal archive</image:caption>
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      <image:title>Information - Everyday Material Culture</image:title>
      <image:caption>Mouřenín v růžovém by Helena Johnová (1912). (c) Matthew Rampley's personal archive</image:caption>
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      <image:title>Information - Everyday Material Culture</image:title>
      <image:caption>An exhibit from the permanent exhibition The Story of the City of České Budějovice. (c) Matthew Rampley's personal archive</image:caption>
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      <image:caption>Cover of the book JAZZ by Emil F. Burian (1928). (c) Matthew Rampley’s personal archive</image:caption>
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      <image:caption>Cover of the book Kuo-Chua by Adolf Hoffmeister (1954). (c) Matthew Rampley’s personal archive</image:caption>
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      <image:caption>Cover of the book Umění přírodních národů by Josef Čapek (1949). (c) Matthew Rampley’s personal archive</image:caption>
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      <image:caption>The National Museum of Bosnia and Hercegovina in Sarajevo. Designed by Karel Pařík. (c) Archive by Jiří Kuděla and Jan Boněk</image:caption>
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      <image:caption>The Hiroshima Peace Memorial (Genbaku Dome) in Japan. Originally the Hiroshima Prefectural Industrial Promotion Hall designed by Jan Letzel. (c) Profimedia</image:caption>
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      <image:caption>Park Hotel in Shanghai, China. Designed by László Hudec. Archive of the Canada-based family collection. (c) Alvin Hudec</image:caption>
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      <image:caption>Alberto V. Frič with body painting by a Kadiweu artist. (c) Frič, Indiáni jižní Ameriky (Prague, 1957)</image:caption>
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      <image:caption>An exhibit from the permanent exhibition The Story of the City of České Budějovice. (c) Matthew Rampley's personal archive</image:caption>
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      <image:caption>Czech orientalist Alois Musil. (c) Archiv Akademické společnosti Aloise Musila</image:caption>
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      <image:caption>Cover page of the magazine Lidé a země, Issue No. 4, Volume No. 2 (1953). (c) National Digital Library</image:caption>
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      <image:caption>Cover page of the book V cizině. Kulturní obrázky pro mládež by Josef Kořenský (1889). (c) Matthew Rampley's personal achive</image:caption>
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      <image:caption>Cover page of the magazine Domov a svět, Issue No. 42, Volume No. 3 (1929). (c) Matthew Rampley's personal achive</image:caption>
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      <image:caption>The exhibition Art Against Imperialism presenting exhibits from the travels of Jiří Hanzelka and Miroslav Zikmund. (c) National museum</image:caption>
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      <image:caption>Permanent exhibition at the Náprstek Museum of Asian, African and American Cultures (part of the National Museum in Prague). (c) National Museum</image:caption>
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      <image:caption>Exhibition of the Chinese Painters Wang-Sho-Ling, Wang-Win-Si, and the Chinese Paintress Shita Sun held in Pilsen in November and December 1929 in the West Bohemian Museum in Pilsen (c) Pilsen Museum archive</image:caption>
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      <image:caption>An exhibit from the permanent exhibition The Story of the City of České Budějovice. (c) Matthew Rampley's personal archive</image:caption>
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      <image:caption>An exhibit from the permanent exhibition The Story of the City of České Budějovice. (c) Matthew Rampley's personal archive</image:caption>
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      <image:title>Home - Popular Ethnographic Imagery</image:title>
      <image:caption>Cover page of the magazine Lidé a země, Issue No. 4, Volume No. 2, 1953. (c) National Digital Library</image:caption>
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      <image:title>Home - Popular Ethnographic Imagery</image:title>
      <image:caption>Cover page of the book V cizině. Kulturní obrázky pro mládež by Josef Kořenský (1889). (c) Matthew Rampley's personal achive</image:caption>
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      <image:title>Home - Popular Ethnographic Imagery</image:title>
      <image:caption>Cover page of the magazine Domov a svět, Issue No. 42, Volume No. 3, 1929. (c) Matthew Rampley's personal achive</image:caption>
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  </url>
  <url>
    <loc>https://globalczechs.cz/home/agents-of-a-civilising-mission-czechs-abroad</loc>
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      <image:title>Home - Agents of a Civilising Mission? Czechs Abroad</image:title>
      <image:caption>The National Museum of Bosnia and Hercegovina in Sarajevo. Designed by Karel Pařík. (c) Archive by Jiří Kuděla and Jan Boněk</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1745327458176-PRDHOY41K61KK642D430/1127700-profimedia-0283927620-base_16x9.jpg.jfif</image:loc>
      <image:title>Home - Agents of a Civilising Mission? Czechs Abroad</image:title>
      <image:caption>The Hiroshima Peace Memorial (Genbaku Dome) in Japan. Originally the Hiroshima Prefectural Industrial Promotion Hall designed by Jan Letzel. (c) Profimedia</image:caption>
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      <image:title>Home - Agents of a Civilising Mission? Czechs Abroad</image:title>
      <image:caption>Park Hotel in Shanghai, China. Designed by László Hudec. Archive of the Canada-based family collection. (c) Alvin Hudec</image:caption>
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      <image:caption>Alberto V. Frič with body painting by a Kadiweu artist. (c) Frič, Indiáni jižní Ameriky (Prague, 1957)</image:caption>
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      <image:caption>An exhibit from the permanent exhibition The Story of the City of České Budějovice. (c) Matthew Rampley's personal archive</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6807955bce2d24775f8175ad/1745327458131-R3VI28MEOY6ZP8Q2ISEK/Alois%2BMusil.jpg</image:loc>
      <image:title>Home - Methodological Preliminaries</image:title>
      <image:caption>Czech orientalist Alois Musil. (c) Archiv Akademické společnosti Aloise Musila</image:caption>
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      <image:caption>The exhibition Art Against Imperialism presenting exhibits from the travels of Jiří Hanzelka and Miroslav Zikmund. (c) National Museum</image:caption>
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      <image:title>Home - Exhibitionary Practices</image:title>
      <image:caption>Permanent exhibition at the Náprstek Museum of Asian, African and American Cultures (part of the National Museum in Prague). (c) National Museum</image:caption>
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      <image:title>Home - Exhibitionary Practices</image:title>
      <image:caption>Exhibition of the Chinese Painters Wang-Sho-Ling, Wang-Win-Si, and the Chinese Paintress Shita Sun held in Pilsen in November and December 1929 in the West Bohemian Museum in Pilsen (c) Pilsen Museum archive</image:caption>
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      <image:caption>Cover of the book JAZZ by Emil F. Burian (1928). (c) Matthew Rampley’s personal archive</image:caption>
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      <image:caption>Cover of the book Kuo-Chua by Adolf Hoffmeister (1954). (c) Matthew Rampley’s personal archive</image:caption>
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      <image:caption>Cover of the book Umění přírodních národů by Josef Čapek (1949). (c) Matthew Rampley’s personal archive</image:caption>
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